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Jaws of Love. (aka Kelcey Ayer, vocalist/instrumentalist for indie rock band Local Natives) has announced the release of a new solo album, Second Life, which will be out on November 11. Ayer has also shared a video for the album’s lead single, “5 Years.”  » Read More

Next month, Brooklyn-based multi-instrumentalist Stephen Becker is set to share his debut solo record, A Calm That Shifts. Becker has played with various indie acts over the years, including Katie Von Schleicher, Market, and Vagabond, but in recent years he’s broken off on his own, debuting in 2020 with his EP, Nothing Sun Under the New.  » Read More

While black midi’s acclaimed albums have given fans much to enjoy over the past few years, their formidable live presentation makes the stage seem to be their ideal setting.  » Read More

Among its decade’s most underrated releases, The Killers’ fourth studio album Battle Born arrived in the aftermath of the group’s brief hiatus, eschewing the glitz and glamor of 2008’s hit-and-miss Day & Age and picking up where 2006’s heartland rock extravaganza Sam’s Town left off six years prior.  » Read More

Among its decade’s most underrated releases, The Killers’ fourth studio album Battle Born arrived in the aftermath of the group’s brief hiatus, eschewing the glitz and glamor of 2008’s hit-and-miss Day & Age and picking up where 2006’s heartland rock extravaganza Sam’s Town left off six years prior.  » Read More

The Tallest Man on Earth (aka Swedish musician Kristian Matsson) has announced the release of a covers album, Too Late For Edelweiss, which will be out this Friday (Sep. 23) via ANTI-. Matsson has also announced a spring 2023 European tour and has shared a cover of Hank Williams’ 1949 song “Lost Highway,” which will be featured on the upcoming album.  » Read More

Released in 1980, The Octagon was the third of Chuck Norris’ films for American Cinema Productions following Good Guys Wear Black and A Force of One.  » Read More

Having begun as a teenage doo wop outfit in Kansas City, Missouri, Bloodstone gracefully evolved into a radical force within the era’s burgeoning progressive soul movement, embracing elements of pop, funk, and psychedelia, and emerging as leading architects of the funk rock fusion genre.  » Read More

Death Cab for Cutie’s 10th studio album Asphalt Meadows represents a return to the band’s classic sound, most strongly resembling 2000’s We Have the Facts and We’re Voting Yes and 2011’s Codes and Keys.  » Read More